IDA: International Design and Art Journal
https://idajournal.com/index.php/ida
<p>The purpose of <strong>IDA: International Design and Art Journal (ISSN: 2687-5373), </strong>which started its publication life in 2019, is to ensure that scientific, original, and academic studies are evaluated under scientific ethical rules and conveyed to the reader in a qualified environment. Within the scope of the journal, all interdisciplinary articles on design and art fields related to these subjects can be sent for evaluation. <strong>IDA: International Design and Art Journal </strong>is an international refereed journal. It is a non-profit journal that does not charge any publication fee.</p> <p>The language of the journal is English and Turkish. Aiming to publish 2 issues per year, our journal has started the necessary processes to be scanned in international and national indexes. In our journal, the blind-review system is used in the evaluation process, for further information please look at the “<a href="http://www.idajournal.com/index.php/ida/evaluation">Publishing Policy</a>”. Articles submitted for publication in the <strong>IDA: International Design and Art Journal</strong> should not be published elsewhere or waiting in line for publication. The author (s) agree to transfer the publication and copyright of the articles they submit for publication to <strong>IDA: International Design and Art Journal, </strong>and do not charge any fees. All published articles are open to everyone with reference to journals and authors. No publication fee is required in our Journal.</p>Nilay ÖZSAVAŞ ULUÇAYen-USIDA: International Design and Art Journal2687-5373<p>IDA: International Design and Art Journal is an open-access academic journal. All publishing rights of the accepted articles are deemed to assign to <strong>IDA: International Design and Art Journal. </strong>Articles can not be published and copied anywhere, and can not be used without reference.</p> <p>IDA: International Design and Art Journal is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/4.0/" rel="license">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License</a>.</p>Sustainable behavior towards fashion products: A systematic literature review
https://idajournal.com/index.php/ida/article/view/308
<p>Consumer behavior has been of concern over the past decades in the fashion industry worldwide, and several researchers have conducted studies on this issue. This paper examined consumer purchasing habits, consumers’ knowledge of sustainability, and the challenges of ensuring sustainable consumption. The study provides a literature review on consumers’ behavior using 27 articles from 3 different databases from 2018 to 2023. The meta-synthesis approach was used to conduct the study. The researcher assessed some 105 articles and, in the end, settled on 27 articles to conduct the final review. The findings from the studies reveal that consumer purchasing habits have an impact on sustainable practices, as some clothes are discarded after being worn once. It also showed that most consumers are unaware of sustainable consumption in fashion, and those who are aware are hesitant to incorporate it into their purchasing habits. The study concludes that to ensure sustainable consumption among fashion consumers, it is necessary to implement educational forums and strategic measures.</p>Evelyn KuupoleHellen Bangbio KuupoleMartin Harold AwinzeligoFuseini Ayaaba
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171177187A methodological approach to the investigation of regional variations in Artuqid Islamic architecture
https://idajournal.com/index.php/ida/article/view/325
<p>Anatolia is a geographical area characterized by various architectural styles from different civilizations and offers a rich historical and cultural heritage in terms of Islamic architecture. This study aims to examine the spatial features of the Harput, Silvan, and Kızıltepe Great Mosques built during the Artuqid period and determine the effects of regional differences on the architectural features. The study discusses the historical and architectural characteristics of mosques and adopts a method of analysis based on Kevin Lynch’s urban images of paths, edges, districts, nodes, and landmarks. With this method, the plan diagrams, spatial organizations, and facades of the mosques were typologically compared, and their relationships with regional variations were examined. The results reveal that the mihrab dome and the harim plan scheme are significant in the key design decisions in the spatial configuration of the three mosques. However, different architectural approaches, such as the porticoes and interior walls, were developed depending on regional requirements and functions. The study emphasizes the importance of these mosques in Islamic history and provides a framework for examining the relationship between the monumental structures and urban images by using the proposed methodology.</p>İzzettin Kutlu
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171119Reflection of 20th-century techno-utopias to the present day: Capsule hotels
https://idajournal.com/index.php/ida/article/view/354
<p>Several factors, such as population growth, increasing land prices, and challenging economic conditions, have led to a change in hotel design. In response to these challenges, capsule hotels have emerged as a potential solution. These hotels are designed to be compact, cost-effective, and conveniently located near airports or train stations. Inspired by the 20th-century techno-utopias and first emerging in Japan during the 1970s, these capsule hotels have spread to many countries in the 21st-century. The aim of this study is to identify the common and distinctive features of capsule hotels in different countries. Three capsule hotel examples were selected, namely the Nine Hours Capsule Hotel in Osaka, the KINN Capsule Hotel in Singapore, and the Capsule Hotel-Sydney in Sydney. The study used a mixed qualitative research method, including conceptual analysis and case study, and the selected hotel examples were analyzed using the homogeneous sampling technique. The design of these hotels, characterized by economic efficiency and limited facilities, shows variations across different countries in terms of capsule dimensions, color schemes, materials, and furnishings. The findings reveal discrepancies in location, color schemes, material choices, and amenities; however, the size, configuration, and access orientations of the capsules remain consistent with the established capsule hotel concept as defined in the literature.</p>Merve Köseİpek Memikoğlu
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-01712037Spirit of place and cinematic space: Jim Jarmusch’s Dead Man movie
https://idajournal.com/index.php/ida/article/view/353
<p>Within the scope of the research, the role of the fiction-character-space trilogy, which are inseparable parts of the cinematic universe, in storytelling was emphasized, and the focus was on the human-space relationship in the context of the spirit of the place. In this direction, it was aimed to examine how the cultural and socio-economic lives and internal conflicts of the characters in the film were processed through spaces. The film “Dead Man”, written and directed by Jim Jarmusch, who has a unique perspective on his life and approach to cinema, was chosen as the material. Based on visual data, a phenomenological approach based on interpretation in accordance with qualitative research technique was adopted. Christian Norberg-Schulz’s concept of Genius Loci has formed the theoretical basis for the analysis of spaces in the film. When the relationships between the places in the movie Dead Man and characters and story fiction are examined, the concepts of “death, inactivity, drift, acceptance, self-discovery, belonging, peace” are revealed. As a result, in this film, places are used as powerful transfer tools that strengthen the viewer’s perception and evoke memories. Drawing attention to changing human-human, human-nature, and human-space relations after the industrial revolution, the film is remarkable as an interdisciplinary tool in examining and evaluating spatial relations and cross-sections.</p>Meral NalçakanGamze Yalçin
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-01713854A meta-synthesis of a/r/tography studies in Türkiye: The intersection of art, research, and education
https://idajournal.com/index.php/ida/article/view/378
<p>This is a meta-synthesis study of a/r/tography studies in art, research, and education in Türkiye. This article is focused primarily on the reflections of a/r/tography on art education and pedagogical practices in Türkiye. In this context, 14 academic studies conducted between 2015 and 2024 were analyzed, focusing on their artistic, educational, and societal contributions. A/r/tography integrates the identities of the artist, researcher, and teacher, supporting creativity and interdisciplinary collaboration. Using the meta-synthesis method, this study examines the contributions of a/r/tography to developing creative thinking skills, identity formation, and fostering multidisciplinary interactions. The findings reveal that this method holds significant potential for enhancing students' artistic identities, promoting innovative thinking, and increasing their capacity for creative expression. Interaction with disciplines like music and visual arts fosters intuitive listening and critical perception skills. In conclusion, the a/r/tography method provides a multidimensional and innovative contribution to art education and pedagogical practices in Türkiye. This method, which supports creativity and individual expression through an interdisciplinary approach, establishes a new paradigm in art education and helps students discover their artistic identities. Therefore, further dissemination and deeper exploration of a/r/tography in different contexts are necessary.</p>Ayça YılmazBilal Kır
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-01715566Investigation of the effects of lighting ergonomics on eyewear store employees
https://idajournal.com/index.php/ida/article/view/346
<p>The field of retail design, guided by a scientifically informed approach, critically examines a range of consumer-oriented phenomena such as purchasing behavior, brand-space experience, and customer loyalty. Simultaneously, it seeks to fulfill ergonomic requirements that prioritize the well-being of store employees. One key aspect of these ergonomic considerations is lighting ergonomics. In this regard, interior spaces should be evaluated in accordance with TS EN 12464, a standard issued by the European Committee for Standardization (CEN) and adopted by the Turkish Standards Institute (TS), which delineates the necessary illuminance levels based on spatial functions. Achieving appropriate lighting intensity through precise lux (lx) measurements and selecting suitable luminaires enables both optimal visual performance and a contribution to efficient retail design. This study aims to investigate the impact of lighting ergonomics on store personnel within optical retail environments, where reflective surfaces are extensively utilized. The research focuses on an optical eyewear store selected as a case study, employing a qualitative research methodology. The Elit Optical Eyewear Store located in the Espark Shopping Mall in Eskişehir, was chosen as the sample for this investigation. Data were gathered through spatial analyses and semi-structured interviews conducted with store employees. The findings indicate that the examined retail environment adversely affects employees' visual comfort when evaluated in terms of lighting ergonomics.</p>Deniz Uçar BaycanSema TaştanGül Ağaoğlu Çobanlar
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-01716780Reimagining urban spaces: Deconstructivist and Deleuzian themes in Murat Germen’s photography
https://idajournal.com/index.php/ida/article/view/370
<p>Architectural photography has long been a tool for expression, documentation, and propaganda, primarily aimed at portraying urban landscapes and modern buildings as aesthetically pleasing, livable spaces. This tradition aligns with modernist architecture’s moderate aesthetic view. However, by the 1960s, a shift occurred, as architectural photography began to engage with the representation of the city critically, embracing poststructuralist theories and questioning the roles of both architecture and photography. Despite this transformation, the adoption of a deconstructivist approach in architectural photography remains rare. This study examines the work of Turkish architectural photographer Murat Germen, exploring how he integrates deconstruction into his photographic practice, particularly in relation to unplanned urbanization. The research employs conceptual analysis to investigate Germen’s themes, such as Muta-morphosis, Construct, and Facsimile, and formal analysis to examine the visual and compositional strategies in his photographs. Using a deconstructivist and poststructuralist framework, particularly drawing on Deleuze’s concepts of the body without organs, flow, and lines of flight, the analysis highlights how Germen’s work critiques the conventional representation of modern architecture and urban spaces. The study concludes that Germen’s deconstructivist approach challenges traditional visual representations of the city, offering a deeper understanding of the complexities of unplanned urban growth and modernist architecture. His work demonstrates how architectural photography can evolve beyond mere documentation to become a critical social and artistic critique tool.</p>Ozan Yavuz
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-01718192A holistic view of design tools in contemporary learning environments: A transmedia storytelling approach
https://idajournal.com/index.php/ida/article/view/329
<p>In design, knowledge is structured with design tools. Today, many design tools exist, such as sketching, drawing techniques, perspective, diagrams, collages, computer programs, digital reality, and media tools. However, studies have either focused on a single design tool or compared the tools as digital/numerical and traditional/analog. This study sees the multiplicity of tools as a potential for design acquisitions in design education; the contribution of the transmedia storytelling approach, proposed as an alternative design approach, to the use of tools and design acquisition in the presentation phase of the design process is questioned. Thus, the design tools used in the design process by 13 students who accepted to participate in the case study in the Interior Architecture Project I course in the 2023-2024 Spring Semester of the Department of Interior Architecture at Istanbul Technical University were collected as data by the researcher and analyzed. As a result, it was revealed that the proposed approach supports a holistic view of design tools, contributes to the differentiation of design acquisitions and can be used in the presentation phase.</p>Sevgi AslantaşPelin Yıldız
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-017193107A bibliometric review of architectural studies in the field of tourism
https://idajournal.com/index.php/ida/article/view/352
<p>Architecture is an essential field of study that affects many aspects of tourism, such as accommodation, infrastructure, and recreation. In particular, it is an indispensable discipline for tourism as it is an attractive element that affects tourists’ perception of space and environment. The strong influence of architecture in tourism has also been reflected in academia over the past 25 years, and the impact and importance of architecture in international tourism destinations have been discussed in many countries. In light of the importance of tourism architecture and the recent academic developments, this study conducted a bibliometric analysis to provide an overview of the development trends in architectural studies within tourism. Between 2000 and March 2024, only articles written in English were included in the study, and the Web of Science Core Collection database was used to obtain data. The VOSviewer package was used to analyze the data of 136 articles. As a result of the analysis, it was found that there was an irregularity in the frequency of studies in the related field over the years. It was also found that studies on architecture in tourism are concentrated in different research fields such as ecology, architecture, environmental sciences, and rural studies. The study concludes with evaluations of the related field and suggestions for future research.</p>Esra Aksoyİsmail Mert Özdemir
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171108122Text to image: A creative transformation in furniture design with artificial intelligence
https://idajournal.com/index.php/ida/article/view/441
<p>This study examines the role and impact of generative artificial intelligence in the furniture design process. The study examines the use of artificial intelligence-assisted design tools to analyze how the designs produced with these tools compare with the original designs and evaluates the level of similarity, originality, and creativity. To minimize the risk of artificial intelligence copying verbatim designs that are often processed by platforms, a lesser-known design, <em>Miss Dior: The Medallion Chair</em> was preferred. This method was followed to reduce potential biases and enable a more realistic evaluation. The research covers Microsoft Bing, Adobe Firefly and Leonardo AI, three popular artificial intelligence applications with text-to-visual conversion. The prompts created for the selected furniture were entered into artificial intelligence applications determined within the scope of the experimental research method and the outputs were compared. Especially Leonardo AI produced faster, higher-quality, and more consistent results. Data analysis and the potential to create designs that better meet user needs are features of these tools. However, in design processes, the role of human creativity and artistic thinking is always the main element. Artificial intelligence, on the other hand, should be considered as a tool to support the creative process rather than a replacement for the designer.</p>Zeynep ÖzbölükMahmut Atilla Söğüt
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171123134Understanding the visual functions and symbolic meanings in Hero Kadita’s design in Mobile Legends: Bang-Bang
https://idajournal.com/index.php/ida/article/view/267
<p>This study investigates the visual functions and symbolic meanings embedded in the character design of Hero Kadita (Ocean Goddess) in the mobile game Mobile Legends: Bang-Bang. It aims to understand how cultural values and symbolic messages are communicated through visual character design. Utilizing a qualitative descriptive approach, the study employs visual analysis as the primary method of data collection, supported by a design anthropology framework and the manga matrix theory developed by Hiroyoshi Tsukamoto. The analysis focuses on three key visual matrices form, costume, and personality, to deconstruct the character’s design elements. The findings reveal that Hero Kadita’s design is aesthetically compelling and symbolically reflects the identity of Nyi Roro Kidul, a mythical sea goddess from Javanese folklore. The character conveys cultural values and spiritual meanings that resonate with Indonesian audiences through its visual narrative. The study concludes that incorporating anthropological insights into character design can enhance cultural relevance and emotional engagement, offering valuable guidance for game designers in embedding local identity within global entertainment media.</p>Benny MuhdalihaI Gede Mugi RaharjaAlit Kumala DewiI Made Pande Artadi
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171135146Evaluation of the privacy concept in traditional houses through the interaction of street and facade using isovist areas: The case of Tokat houses
https://idajournal.com/index.php/ida/article/view/386
<p>Traditional houses, shaped and transformed according to the needs of individuals and societies, are influenced by the physical and socio-cultural characteristics of their respective regions. The concept of privacy has played a decisive role in traditional dwellings’ spatial organization and facade design, also shaping users' perception of privacy in their interaction with the street. In this context, the study examines how privacy affects the visual connection and field of view between users and the street in traditional houses. The study area focuses on the traditional houses of Tokat, which have largely preserved their original character and texture. In this context, nine traditional houses with different cumba types located on Bey Street and Beyhamam Street were examined. In the study, isovist analysis, a method that enables analysis based on the field of view, was employed. In this context, the visual connections between the street and different floors of traditional houses were calculated, and their effects on the perception of privacy were analyzed. The findings revealed that, depending on the type of cumba, the visual connection with the street is stronger at the ground floor level in traditional houses; however, privacy is not entirely compromised, and the visual relationship varies quantitatively between floors.</p>Murat Şahin
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171147163Reviving urban identity through hidden details: The Türbeönü manhole cover design workshop
https://idajournal.com/index.php/ida/article/view/450
<p>Public spaces include various design elements that shape a city’s identity, such as buildings, urban furniture, and information panels. However, some components of the urban fabric, like manhole covers, are often overlooked. Though typically infrastructural, manhole covers can serve as culturally and aesthetically meaningful design elements that enrich urban identity. To explore this potential, the study employs qualitative research methods, specifically case study and content analysis approaches. It first reviews artistic works, creative applications, and research on manhole cover designs worldwide. It then presents outcomes of an interdisciplinary workshop integrating design students’ skills with their urban environment. The workshop engaged students from Industrial Design, Cartoon and Animation, and Painting departments within the Faculty of Fine Arts. Participants designed manhole covers for Türbeönü, Konya- a historic area undergoing urban transformation. The workshop unfolded in three stages: project introduction, field research, and jury evaluation with an exhibition of student designs. The resulting designs were categorized based on common themes and analyzed through content analysis. Discussions and presentations occurred at The City Workshop, organized by Konya Metropolitan Municipality. The study evaluates the workshop’s process, highlighting its role in raising awareness of urban aesthetics and demonstrating how small-scale design interventions can shape city identity.</p>Seda Duman Köylü
Copyright (c) 2025 IDA: International Design and Art Journal
https://creativecommons.org/licenses/by-nc-sa/4.0
2025-06-012025-06-0171164176