A contemporary approach in transformation of space perception: The meaning of architecture in 2000’s art
Keywords:
Perception of space, Space in art, Contemporary space, Spatial contextAbstract
The purpose of this study is to provide a discussion ground that can answer the question, “as a contemporary theme in transformation of space perception, what is the meaning of architecture in the art of the 2000s”. As the scope, works of leading figures of 2000s art were examined through literature review and it was aimed to obtain an original concept set by evaluating them in the context of art-space relationship. The methodology is divided into three sections. The first section is literature research which is based on the determination of the theory about the artworks. The second section is based on the demonstrations of the relationships between the spatial themes through “knowledge discovery in databases”. In the third section, the groups are emphasized through “relative frequencies of the spatial themes”. Accordingly, when the artworks are evaluated in terms of spatial features, it is seen that narratives are related with war, peace, anarchy, individuality, imprisonment, separation, loneliness, uncanny, anxiety, curiosity, desire, lethargy, memory, boredom, consumer culture, ambiguity, habit, conflict and revel. As a result, the image of space occurs while being positioned together with interior and exterior, official and informal, ordinary and extraordinary, dramatic and analytical where dualities formed by contrasts are dissolved.
References
Adams, A. (2018). Surgery and architecture: Spaces for operating. In T. Schlich (Ed.). The palgrave handbook of the history of surgery (pp. 261-262). https://doi.org/10.1057/978-1-349-95260-1_13
Akhimien, N., Isiwele, A. J. (2017). Architect’s role in rural community development. Journal of Engineering and Architecture, 5(1), 1-13.
Alvesson, M. (2013). Explaining the consumption paradox-why aren’t people (more) satisfied? The Triumph of Emptiness: Consumption, Higher Education, and Work Organization. https://doi.org/10.1093/oso/9780199660940.003.0007
Berger, J. (1972). Ways of seeing (1st ed.). The British Broadcasting Corporation and Penguin Books.
Bonaventura, P. (2006). 100 years ago, Peter Doig. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 922). Chartwell Books.
Branscome, E. (2011). The true counterfeits of Banksy: Radical walls of complicity and subversion. Architectural Design, 81(5), 114-121. https://doi.org/10.1002/ad.1301
Carpi, D. (2020). The island metaphor in literature and law. Pólemos. 14(2), 225-235. https://doi.org/10.1515/pol-2020-2015
Chase, J. (1991). The role of consumerism in american architecture. Journal of Architectural Education, 44(4), 211-224. https://doi.org/10.2307/1425143
Desiderio, V. (2008). Notes on fugitivity. Academia. https://www.academia.edu/9318177/NOTES_ON_FUGITIVITY (18.02.2023).
Driskell, S., & Trawalter, S. (2021). Race, architecture, and belonging: Divergent perceptions of antebellum architecture. Collabra: Psychology, 7(1), 21192. https://doi.org/10.1525/collabra.21192
Earl, S. (2006). Within, Luc Tuymans. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 921). Chartwell Books.
Eisman, A. (2012). Painting the East German experience: Neo rauch in the late 1990s. Oxford Art Journal, 35(2), 233-250. https://doi.org/10.1093/oxartj/kcs016
Emery, A. (2005). Three oncologists by Ken Currie. Clinical Medicine, 5(1), 61. https://pubmed.ncbi.nlm.nih.gov/15745201/
Grant, R. (2006). Gold, Neo Rauch. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 927). Chartwell Books.
Honigman, A. F. (2006). Shopping, Inka Essenhigh. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 925). Chartwell Books.
Ibrahim, A. M., Dimick, J. B., & Joseph, A. (2017). Building a better operating room: Views from surgery and architecture. Annals of Surgery, 265(1), 34-36. https://doi.org/10.1097/SLA.0000000000001777
Johnsen, B., Fransson, E. and Giofrè, F. (2018). Prison, architecture and humans. Cappelen Damm Akademisk (pp.19-27). https://doi.org/10.23865/noasp.31
Lerner, R. (2006). Cockaigne, Vincent Desiderio. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 939). Chartwell Books.
Lovelace, C. (2001). Inka Essenhigh at Mart Boone. Art in America: Review of Exhibitions, 2001(12), 113.
Lyons, F. (2018). The architecture of nothingness: an explanation of the objective basis of beauty in architecture and the arts (1st ed.). Routledge. https://doi.org/10.4324/9781315446646
Machida, N. K. (2006). Mother 2004, Zhao Bo. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 934). Chartwell Books.
Mahony, N. (2006). The Parade, John Alexander. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 941). Chartwell Books.
Mcgrath, B. (2020). Island as urban artifact/archipelago as urban model. Island Studies Journal, 16(1), 81-100. https://doi.org/10.24043/isj.140
Middleton, J. (2006). The Blacker Gachet, Mark Alexander. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 938). Chartwell Books.
Mieves, C. (2013). Distant toys, dissected bodies and reality tv: Luc Tuymans and painting in the age of ritual and new media. International Journal of Arts and Technology, 6(3), 297-316. https://doi.org/10.1504/IJART.2013.055396
Morris, R. G., & Worrall, J. L. (2014). Prison Architecture and Inmate Misconduct: A Multilevel Assessment. Crime & Delinquency, 60(7), 1083-1109. https://doi.org/10.1177/0011128710386204
Pallares, A. (2020). Bruegel’s cloak: on the relationship between architecture and subject. Journal of Architectural Education, 74(2), 310-314. https://doi.org/10.1080/10464883.2020.1790941
Pellegrino, P. & Jeanneret, E. (2009). Meaning of space and architecture of place. Semiotica, 2009(175), 269-296. https://doi.org/10.1515/semi.2009.049
Pop, A., Viorel, P. (2010). Peculiarities of the New Architectural Interventions in Rural Area. Case Study: Trascău Depression, Alba County, Romania. Journal of Settlements and Spatial Planning, 2010(1), 19-27.
Scardamaglia, A. (2022). Banksy: Culture, counterculture and cancellation. Griffith Law Review, 31(3), 418-434. https://doi.org/10.1080/10383441.2022.2096973
Sklair, L. (2017). Architecture and the culture-ıdeology of consumerism. The Icon Project: Architecture, Cities, and Capitalist Globalization. Oxford Academic. https://doi.org/10.1093/oso/9780190464189.003.0012
Upton, D. (2002). Architecture in everyday life. New Literary History, 33(4), 707-723. http://www.jstor.org/stable/20057752
Ward, O. (2006). Flower Chucker, Banksy. In S. Farthing (Ed.), 1001 Art masterpieces you must see before you die (p. 920). Chartwell Books.
Zabawa-Krzypkowska, J., Groń, K. (2020). Art in the public space, different aspects of artistic activities in architecture. IOP Conference Series: Materials Science and Engineering, 960, 1-9. https://doi.org/10.1088/1757-899X/960/3/032090
Downloads
Published
Issue
Section
License
Copyright (c) 2023 IDA: International Design and Art Journal
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
IDA: International Design and Art Journal is an open-access academic journal. All publishing rights of the accepted articles are deemed to assign to IDA: International Design and Art Journal. Articles can not be published and copied anywhere, and can not be used without reference.
IDA: International Design and Art Journal is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.